Washerman’s work often blends floral forms with clean, architectural geometry. This particular design fits into a Revivalist floral category due to the exaggerated sunflower motif, but its stark symmetry and high-contrast oxidized detailing also reflect Modernist tendencies—favoring bold structure over ornate decoration. The result is a hybrid style: floral, but minimal; organic, but deliberately stylized. It’s not boho or delicate—it’s sculptural, almost industrial, which is what makes 1980s sterling work like this feel distinct from both earlier Mexican floral styles and later romantic reinterpretations.